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Archive for the ‘People’ Category

Sep
11

tfttf697 – Sun Behind The Clowns

Filed Under Digital Photography Tips, People

A look into travel photography from many angles: from location to light, from time to the challenges of balancing harsh contrasts in both light and context and we’ll talk about how important people can be when you’re out and about in a foreign county to bring home some of the best photography you’ve ever done. … Continue reading tfttf697 – Sun Behind The Clowns

The post tfttf697 – Sun Behind The Clowns appeared first on Photography Tips from the Top Floor.

May
4

Nepal Earthquake Fundraiser Crosses $10,000 – Update 2015-05-04

Filed Under Digital Photography Tips, People

Yes, I know this is the Tips from the Top Floor podcast and blog. Please accept my apologies for hijacking this blog for the People of the Himalaya fundraiser. But as I’ve frequently talked about Nepal here on the show, and the site gets more visibility than most of my other sites, it was a … Continue reading Nepal Earthquake Fundraiser Crosses $10,000 – Update 2015-05-04

The post Nepal Earthquake Fundraiser Crosses $10,000 – Update 2015-05-04 appeared first on Photography Tips from the Top Floor.

Mar
18

Simple Tips to Improve your Travel Photography – Include People in Your Images

Filed Under Digital Photography School, People, Photography Tips and Tutorials

Turkey_KavDadfar

With photography being more and more accessible, it has never been more imperative to take unique photos. After all, picture editors have thousands of images of pretty much every location to choose from, so as photographers we need to give them something different to stand out from the crowd. Including people in your travel photos can really add a uniqueness that would make them stand out.

Here are some simple tips on how you could include people in your travel photography:

For sense of scale

Including people in your photos is a great way to give the viewer a sense of scale and prospective. Our brains are much better at processing scale in photos when we can compare something we are familiar with. So next time you are on top of a mountain, next to a big tree, or in a vast wilderness, try to include a person in the image to give the viewer a sense of scale.

Scotland_KavDadfer

I took a few photos of this beach without anyone on it, but by far the most impressive is this shot that highlights the size.

Tell a story

Sometimes the difference between a good photo and a great photo is simply to include people. This can give context to what might be a generic scene, and help portray a story about that location. A cyclist on a path tells much more of an intriguing story than just an empty path.

Couple_KavDadfar

Including people in your photos can help tell a story. This photo sold within a few days of going online.

Adding a point of interest

Simply adding a person, or group of people, to a scene can transform what would be a dull composition into something that instantly draws the viewer in. This is especially great in scenes where you have similar colours (e.g. water or snow) or even patterns like fields and sand. The person will act as an anchor, draw the viewer’s eyes and ensure that your image has a point interest.

Woman_UAE_KavDadfar

This woman adds a point of interest to the scene that might otherwise look boring.

Creating a mood

Is the place you are photographing buzzing with activity? Or is it a place of tranquility in a big city? Including a person or people in your shots can really create a sense of mood and emotion in the final photo that might not exist without it. Try to think about the scene and what it could possibly be showing if you included a person in it.

Balloons_KavDadfar

The people in this shot help portray the serenity and calmness of the scene.

Be creative

If you are lucky enough to be traveling with a companion, think about using them as a model to help make your images more creative. But rather than just snapping away, try to think about the scene and what you are hoping to achieve. Sometimes you can push the boundaries even further and capture unique photos that you wouldn’t be able to get without a willing model.

Turkey_Balloons_KavDadfar

By turning my view slightly from inside the hot air balloon I was able to capture the people which not only gave the photo a sense of scale but helps to give it more context.

So next time you are about to take that picture of that beautiful landscape, or famous landmark, just pause and think if including a person will improve your composition.

Now it’s your turn. Share your photos, thoughts and tips below.

The post Simple Tips to Improve your Travel Photography – Include People in Your Images by Kav Dadfar appeared first on Digital Photography School.

Apr
11

Clothing for Portraits – How to Tell your Subjects What to Wear

Filed Under Digital Photography School, People, Photography Tips and Tutorials

portrait-clothing-featured

The clothes your clients or portrait subjects are wearing in their photo can be a touchy subject to discuss with them, especially if you are just doing a portrait for them as “a friend with a good camera”. Even as pros we have a hard time getting people to listen and they show up in clothes that make us cringe and even hurt our eyes.

This article will help you understand what to suggest your subjects wear for their portrait. You’ll also learn how to help them understand why your suggestions really are in their best interest so they actually listen to get it right.

Clothes make the portrait

What the subjects are wearing in a portrait is just as important as all the other details such as: lighting, location, and posing. Poorly selected clothing can really take away from an otherwise really great portrait.   The goals in helping your portrait subjects or clients select clothing are:

  •  to make the people the main subjects
  • to flatter the subjects and help make them look their best
  • to disappear and be a non-issue

Poorly chosen clothing, or having no discussion about it at all, can result in just the opposite of all those things.  NOT what you want to have happen!

  • clothing that stands out so much you hardly even notice the people
  • arms, legs or tummies that look less than flattered and people that are unhappy with the end results
  • clothing that takes so much attention and draws your eye around that it becomes more about the clothes and a fashion photo that it does a portrait of the people in them

So what IS the best thing for people to wear?

I get asked for tips on this a lot in my portraiture classes. People “hear” funny things about what they should or shouldn’t wear for their portraits and show up in the damnedest things that sometimes make you shake your head and say “what were they thinking?” But they don’t know what is right, or what is better unless you tell them and help them understand why.

This is what I recommend for what to wear to a portrait session

  • wear solid coloured clothing
  • choose muted tones that are a bit subdued
  • choose similar tones for your top and bottom (both dark or both light)
  • choose 1-3 colours for your group portrait, ones with similar tones that go nicely together and have everyone work within that colour palette. For example: dark green, navy, and burgundy – all dark jewel tones.  OR tan, a lighter olive green, and denims – all lighter, softer tones.
  • choose a top with sleeves at least to the elbow
  • choose long pants for men/ladies or a skirt below the knee for ladies
  • choose dark socks and footwear (unless it’s a barefoot photo on the beach)
  • keep jewellery simple and minimalistic
  • do your hair the way you’d normally do it while wearing these clothes (I’ll explain more later)
  • if getting a haircut or new hairdo, make your appointment at least 2 weeks prior to your portrait session

Okay so I added a few bonus pointers on hair and make-up but they go right along with the clothing.

Notice I consciously did NOT use the word “don’t” anywhere in the list above?  There’s a reason for that. People’s brains actually don’t register the words: don’t, not, or no. So when you say them the brain just disregards and registers what comes after.  For example, if I say, “do NOT think of a lemon” what did you just do?  Of course, thought of a lemon. So when you are explaining clothing (or anything for that matter) and giving suggestions on what to wear, take great care to always say what you DO want.

If you tell people, “okay don’t wear stripes, flowers or bright colours.”  What will they remember?  “I think my photographer said something about stripes and bright colours,  so that’s what I’ll wear.”

And they probably heard somewhere that for photography you need to put your make-up on extra dark and heavy, so even ladies that normally wear none or very little can show up with black eye liner and raccoon eyes. I know, because it’s happened to me when I didn’t discuss it. She will HATE her photos because it doesn’t look like her.  She likely won’t say anything, she just won’t pick any and you’ll think she didn’t like your work.

It is YOUR job as the photographer, even if you are just doing it for fun and for friends, to help people look their best in the portrait you take.  So let’s look at the points above and how you explain it to them so they get on board!

I actually had a hard time coming up with “bad” examples of what not to wear. I’ve been doing this for so long I don’t have any portraits that don’t come fully prepared.  So I’ve found a couple group images just so you can see the difference the clothing makes.

The image below is from a wedding so they weren’t all planning on having this group portrait done. But it shows what happens when the clothes have not been planned.  There’s multiple colours, some dark and some light. We have a few bright patterns and a short skirt. We have a lot of short sleeves (it was a hot day) and some white shoes.  Can you see how all those things make an impact?  Overall it’s actually not that bad, I’ve seen a lot worse but let’s see what a little refinement can do to help.

portrait-clothing-001

Group portrait from a wedding, not planned so they were wearing what they were wearing.

portrait-clothing-002

Another “bad” example, again a group portrait from a photo walk this time. Notice how all the colours and patterns draw attention?

Examples of clothing that is working

This family chose all black and denim and for the most part it is working really well. Only thing I suggest as a change would be Mom in longer sleeves.  Notice how much attention her arms get?  For her that’s fine, but for someone self conscious about their arms or their weight, this will make their arms look larger.

portrait-clothing-004

In the image below everyone is in black except the baby. Babies are always tough because finding plain colours or black for a baby is almost impossible. Notice two things here.  #1 the baby stands out the most, and in this case that’s fine because she’s the smallest and you want to see her.  #2 if that had been an adult in the light outfit do you think it would work as well?  Doubt it, the result will be that person will stand out and look larger. No one likes to look bigger!  Trust me.

portrait-clothing-005

This is my sister’s family so they’ve been well trained on what to wear (I even got in this phone). Once again dark tones have been selected: greys, deep purple, and navy. Those all work well with jeans. Can you see the difference between me wearing long sleeves (left) and my sister wearing short sleeves (upper right)?  What does it do to the bare arms? How do they look compared to mine?

portrait-clothing-007

How to get them to agree and follow your suggestions

The key to explaining all this and getting people to agree and go along with your suggestions is in HOW you tell them. If you just list off all this stuff it can seem a bit pushy and like you’re telling them what to do. Most assume they know how to dress themselves and giving them a list could make them feel a tad insulted so they get defensive rather than listen to your suggestions.

Photography is part technical stuff, part artistic stuff and part psychology!

Let’s look at my recommended list again but this time adding in the WHY. By stressing the benefit to the subjects, or why they would want to do this, they will “get” it in a big way. Like I said, I have very few portraits that I’ve done in the last ten years that show up in poor clothing because I’ve prepped them so well and they know that if they want to look their best they will follow these guidelines.

  • wear solid coloured clothing so that we see all of your faces and no one person stands out. If you wear stripes or flowers, you will stand out from the rest of your group.
  • choose muted tones that are a bit subdued so that you are the subject not your clothes and you don’t stand out from the group. Bright colours project (especially reds, oranges, and yellows), which also makes you look larger.
  • choose similar tones for your top and bottom (both dark or both light) so that one doesn’t look bigger than the other.  White top, dark pants will make your top look bigger.  White pants, dark top will make your butt look bigger.
  • choose 1-3 colours for your group portrait, ones with similar tones that go nicely together and have everyone work within that colour palette. For example: dark green, navy, and burgundy – all dark jewel tones.  OR tan, a lighter olive green, and denims – all lighter, softer tones.  So that we see the people first and your portrait looks stunning. Wedding group photos look so good because they’re all wearing the same colours and the people stand out!
  • choose a top with sleeves at least to the elbow  because your arms take up more skin area than your face and will draw attention and it may also make your arms look larger
  • choose long pants for men/ladies or a skirt below the knee for ladies so that your legs don’t take attention from your faces, and you will be able to sit and bend without showing too much leg
  • choose dark socks and footwear (unless it’s a barefoot photo on the beach) because white just sticks out like a sore thumb and that’s all you’ll notice in your portrait
  • keep jewellery simple and minimalistic because too much draws attention from your face
  • do your hair the way you’d normally do it while wearing these clothes – no fancy up dos with jeans, no pony tails with evening gowns, etc. This is common sense, or so you’d think, but I’ve had ladies go to the hair salon and get fancy up dos then show up in jeans and a t-shirt.  It just simply doesn’t make sense cause you wouldn’t normally do that to put on jeans and go to the park for a BBQ or something. So tell them “it is because your portrait will be more timeless and represent more closely who you are, not just what you look like.”
  • if getting a haircut or new hairdo, make your appointment at least 2 weeks prior to your portrait session – again this seems like a no brainer but you’d be surprised! Fresh hair cuts rarely look their best the same or next day. Ladies need time to practice working it, men need it to grow out just a little. Allow some time to live with your new look before your portrait session.

See a common thread in my notes above?  Most people have the same fears about being photographed – yes fears!  Being photographed is right up there on the fear list next to public speaking and going to the dentist, I kid you not!  Their fears are about looking stupid, not knowing how to stand or pose, and looking fat or old. So if you can help them see that these clothing tips will allow them to eliminate at least one of their fears before you even start, then you just have to deal with all the rest later!  Most of clothing suggestions has to do with helping them look slimmer and not stand out. How to stand and pose to minimize weight issues is another article, stay tuned!

Putting it all together

You may notice most of the “good” examples here are wearing dark colours. That’s pretty common as most people have heard that dark or black makes you look slimmer. To some degree that’s true. But light colors can work too if everyone in the group does similar, then the one person in dark clothes would stand out. Little kids in denim and white tops with bare feet is super cute, as is little girls in white sun dresses. Don’t be afraid of other colours or tones, just keep them similar. Some of my largest extended family groups over the years that have done the best even went as far as to put each family unit in their own colour scheme (one in browns, one in greens, etc) and mom and dad in another – all with dark jeans.  I’ve also had some ladies go as far as to buy everyone a matching shirt.

The thing is once you get them on board and understanding the logic behind it – the WHY – they will go to great lengths to make it work because they know it’s for their benefit!

portrait-clothing-006

Action Plan

If this all sounds like a lot and is overwhelming, feel free to copy my list and make a little sheet to hand out to people.  Just make sure you add the benefits, like in my second list.

Show me your successes or ones that didn’t work out so good. I’m happy to give suggestions on how to improve it for next time.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Clothing for Portraits – How to Tell your Subjects What to Wear

Apr
13

I Like To Tell You A [Typical] Story

Filed Under animals, Nicki Exhibition, People



[ This is a collection of 15 Photos, click on the thumbnails to see all ]

This is so typical - a daily happening between doggy Mila and me. I planned this shooting for long, and here it is. It's like a soap opera, every night. But I cannot resist - she is always on my side, the onest girl who really knows me :). She lickes my tears, takes me out for long and shows me some new wonderful places. Love, life, being carefree.

GEAR: Canon EOS 5D Mark II, Canon Ef 17-40mm F/4 L, Canon Speedlite 430 EX II (with Yongnuo RF-602/C)

EXIFS:
Focal: 17mm
Exposure: 1/60s
Aperture: F/8
Iso: 800



Fatamanta Photography
Emotive, Experimental, Urbex and Fine-art ... based in Dresden/Germany
Join me on Twitter & Facebook




Apr
9

Time

Filed Under Black & White, Nicki Exhibition, People



Last week I start shooting with my Dads old Exa 1b - the ultimate analog weapon made in GDR 30 years ago. Its a great feeling shooting 100 percent manual ... Folks, such a old camera makes the time standing still for a while, I took 12 pictures in 2 hours :). I'm still waiting for the negatives - thats why I show you another capture taken in 2009 - a pearl which finally finds its place here.

EXIFS:
Camera: Canon EOS 30D
Focal: 85 mm
Aperture: F/1.8
Exposure: 1/800s
ExposureBias: 0.0 EV
Sensitivity: Iso 100


Fatamanta Photography
Emotive, Experimental, Urbex and Fine-art ... based in Dresden/Germany
Join me on Twitter & Facebook




Apr
3

Alma

Filed Under Black & White, Nicki Exhibition, People



» This is a collection of 5 pictures, click on the thumbnails to see all

After moving from Mynicki to Fatamanta some of my favorites pictures got lost, they still "sleep" and wait for a reincarnation. This post is the first one and I hope you like this way of showing some fine moments as set. Last week I got some Emails asking for Mynicki ... thanks a lot for your mentions, they pushed me. This step was/is so important for myself - I'm stranded here for something new and it feels good.

GEAR: Canon EOS 5D Mark II, Canon EF 50mm F/1.4, Canon EF 35mm F/1.4 L


Fatamanta Photography
Emotive, Experimental, Urbex and Fine-art ... based in Dresden/Germany
Join me on Twitter & Facebook




Mar
28

Grown From The Ashes

Filed Under Black & White, Nicki Exhibition, People



Hello, this is Fatamanta! Actually known as the Nicki Photoblog a lot has changed. My point of view (photography) and the evolution of myself arranged this bold move. Of course, the man and the doggy behind the scenes are the same as always, but photography take up more space from just now. I was looking for something new and Fatamanta is the fine result. I hope you stay by my side ... that you will have a break here from time to time to view some moments that stops for a little while - to see my point of view. ... Matthew

EXIFS:
Camera: Canon EOS 5D Mark II
Focal: 50 mm
Aperture: F/2.5
Exposure: 1/200s
Sensitivity: Iso 800


Fatamanta Photography
Emotive, Experimental, Urbex and Fine-art ... based in Dresden/Germany
Join me on Twitter & Facebook




Feb
13

For A Walk

Filed Under animals, Nicki Exhibition, People



No typical words - no story for this capture ... . The advantage of a pure photoblog is its definition: Let's talk the moments :).

EXIFS:
Camera: Canon EOS 5D Mark II
Focal: 200 mm
Aperture: F/4
Exposure: 1/1600s
ExposureBias: 0.7 EV
Sensitivity: Iso 400


Fatamanta Photography
Emotive, Experimental, Urbex and Fine-art ... based in Dresden/Germany
Join me on Twitter & Facebook




Feb
13

For A Walk

Filed Under animals, Nicki Exhibition, Outdoor, People



English: No typical words - no story for this capture ... . The advantage of a pure photoblog is its definition: Let's talk the moments :).

German: Diesmal gibt es keine Beschreibung, keine kleine Geschichte. Das ist doch auch der Vorteil eines Fotoblogs: Momente sprechen für sich selber :).

» Original shoot attached

Camera: Canon EOS 5D Mark II
Lens: Canon EF 70-200mm F/4 L IS
Focal: 200 mm
Aperture: F/4
Exposure: 1/1600s
ExposureBias: 0.7 EV
Sensitivity: Iso 400

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