Tamron intros trio of compact macro lenses for Sony E-mount

Tamron has announced three compact F2.8 prime lenses for full-frame Sony mirrorless bodies. These 'Di III OSD M1:2' lenses come in three focal lengths: 20, 24 and 35mm.

The lenses are the same size and same weight (around 215g/7.6oz), and use the same 67mm filter thread. Minimum focus distances range from 11 to 15cm (4.3" to 5.9") and the maximum magnification of all three is 0.5x.

The three lenses use both aspherical and low-dispersion elements and feature 'BBAR' coatings to reduce flare and ghosting. The lenses use DC motors to drive their focus group, and Tamron says that they are fully compatible with Sony's latest AF systems. The lenses are also sealed against dust and moisture.

All three lenses are priced at $349. The 24mm and 35mm will arrive on November 20th, with the 20mm to follow in January.

Press Release

Tamron Announces Three Close-Focusing Prime Lenses For Sony E-Mount Full-Frame Mirrorless Cameras

20mm F/2.8 Di III OSD M1:2(Model F050)
24mm F/2.8 Di III OSD M1:2(Model F051)
35mm F/2.8 Di III OSD M1:2(Model F053)

October 22, 2019, Commack, NY – Tamron announces the launch of three prime lenses for Sony E-mount full-frame mirrorless cameras: 20mm F/2.8 Di III OSD M1:2 (Model F050), 24mm F/2.8 Di III OSD M1:2 (Model F051), and 35mm F/2.8 Di III OSD M1:2 (Model F053). The 24mm and 35mm lenses will be available on November 20th and the 20mm will be available in January 2020. All three lenses will be available in the USA for approximately $349.

Having already produced award-winning zoom lenses[1] in this mirrorless category, we turned our attention toward prime lenses. When using a prime lens, the photographer must decide the composition based on their distance from the subject. This puts the joy of capturing the image exactly as envisioned and the pure fun of shooting on a different level.

The three new models include a 20mm focal length (Model F050) to fully explore the world of ultra-wide-angles, a 24mm focal length (Model F051) as the perfect general-purpose wide-angle lens, and the versatile 35mm focal length (Model F053) that is ideal for everyday/every subject use. Developed under the concept of “letting as many as possible learn the joy of prime lenses in a more accessible way,” each lens strikes a balance between gorgeous image rendering and superior operation.

We matched the same filter size (φ67mm) for all three prime lenses as well as the two previously launched zooms and achieved our aim of compactness. Furthermore, the 20mm, 24mm and 35mm lenses are all capable of focusing very close, to an unprecedented in this category magnification ratio of 1:2. Other features include Moisture-Resistant Construction (for outdoor shooting) and a Fluorine Coating on the front element for easy maintenance and fingerprint removal.

They also support various camera features offered by certain Sony cameras, such as Fast Hybrid AF and Eye AF, and offer a multitude of advanced functions to ensure a pleasant shooting experience and fantastic results.

This series of highly practical lenses lets photographers enjoy the photographic expression of wide-angle lenses, often regarded as the sweet spot for most photographic pursuits, plus unprecedented light weight and full-blown performance.


  1. Enhanced close-focusing capability expands lens usefulness and versatility

These prime lenses focus very close. The MOD (Minimum Object Distance) for the 20mm, 24mm and 35mm is 4.3, 4.7 and 5.9 inches respectively. Plus, the maximum magnification ratio for all three is 1:2. This remarkable performance allows users to create compositions that emphasize perspective (closer subjects are larger and distant ones are smaller) and that are unique to wide-angle lenses.

Being able to get in close is one of the most desirable specifications for a wide-angle lens. With dramatic closeup shooting performance for full-frame lenses, the series unleashes an unprecedented level of shooting freedom. Plus, by moving close to the subject, strongly blurred backgrounds are easier to attain.

  1. A compact, lightweight 67mm filter diameter system offering excellent portability

Weighing in at 7.8 oz for the 20mm (Model F050), 7.6 oz for the 24mm (Model F051) and 7.4 oz for the 35mm (Model F053), the lenses are exceptionally light, allowing photographers to enjoy shooting comfortably without hesitating about whether to carry the lens. All three lenses combined weigh under 1.5 pounds! Meanwhile other lenses in Tamron’s lightweight full-frame mirrorless series such as the 28-75mm F/2.8 (Model A036) standard zoom or 17-28mm F/2.8 (Model A046) ultra-wide-angle zoom make the perfect companions to broaden the range of shooting possibilities.

As testament to their compactness, all three new models feature the same 67mm filter diameter as Tamron’s zoom lenses for full-frame mirrorless cameras. This significantly reduces cost and packing space when working with PL, ND and other filters. Even the front lens caps are the same size, eliminating the hassle of sorting caps when switching lenses. These features combine to produce a highly convenient and mobile system that adds more fun to photography.

  1. Superb high-resolution performance that matches the latest high-resolution image sensors

The sophisticated optical formula created with the latest lens design technologies boasts exceptionally high rendering performance from edge to edge thanks to the optimal arrangement of LD (Low Dispersion) and GM (glass-molded aspherical) lens elements. Any remaining minor distortions sometimes common in wide-angle lenses are corrected using in-camera functions.

Additionally, Tamron’s legendary BBAR (Broad-Band Anti-Reflection) Coating effectively reduces ghosting and flare. With excellent resolving power achieved through uncompromising optical performance and camera-based distortion correction, these lenses can be used with complete confidence for a wide range of applications from casual family snaps to serious professional photography.

  1. Consistent 64mm (2.5 in) overall length facilitates ease-of-use

All three lenses are the same length: 2.5 in. Achieving excellent balance with Sony E-mount cameras, these compact lenses employ a front element extension system but are designed to maintain the same exterior length during focusing operations. Therefore, there is less chance of an extended front element accidentally coming into contact with a subject during closeup shooting. And optional manual focusing is easier because the focus ring is positioned toward the front of the lens within natural reach of the thumb and index finger.

  1. Silent autofocus driven by OSD (Optimized Silent Drive) DC motor

The AF drive system employs an OSD to ensure quiet operation. In comparison to conventional AF types with built-in DC motors, Tamron was able to greatly reduce the drive noise as well as vastly improve AF performance and speed. The lower ambient noise level is sure to be appreciated by video shooters.

Overall, this prime lens series provides superlative AF precision for exact focus even when shooting moving subjects, as well as outstanding accuracy and tracking capability. Additionally, this prime series supports various AF features offered by certain Sony cameras, including Fast Hybrid AF, Eye AF, and Direct Manual Focus (DMF) to ensure a pleasant shooting experience.

  1. Moisture-Resistant Construction and Fluorine Coating

Environmental seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops and afford Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions.

Also, the front surface of the lens element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, moisture or oily fingerprints, allowing for much easier maintenance. These protective features are keenly important for lenses that allow you to get in close to a subject.

  1. Compatible with main camera-specific features and functions[2]

All three of Tamron’s new prime lenses are compatible with many of the advanced features that are specific to certain mirrorless cameras. These include the following:

-Fast Hybrid AF
-Eye AF
-Direct Manual Focus (DMF)
-In-camera lens correction (shading, chromatic aberration, distortion)
-Camera-based lens unit firmware updates

[1] 28-75mm F/2.8 Di III RXD (Model A036) standard zoom and 17-28mm F/2.8 Di III RXD (Model A046).

[2] Features vary by camera. Please consult your camera’s instruction manual for details. As of September 2019

Tamron 20mm / 24mm / 35mm F2.8 Di III OSD M1:2 specifications

 Tamron 20mm F2.8 Di III OSD M1:2Tamron 24mm F2.8 Di III OSD M1:2Tamron 35mm F2.8 Di III OSD M1:2
Principal specifications
Lens typePrime lens
Max Format size35mm FF
Focal length20 mm24 mm35 mm
Image stabilizationNo
Lens mountSony FE
Maximum apertureF2.8
Aperture ringNo
Number of diaphragm blades7
Special elements / coatingsLow-dispersion and aspherical elements + BBAR and fluorine coatings
Minimum focus0.11 m (4.33)0.12 m (4.72)0.15 m (5.91)
Maximum magnification0.5×
Motor typeMicromotor
Full time manualNo
Focus methodInternal
Distance scaleNo
DoF scaleNo
Weight220 g (0.49 lb)215 g (0.47 lb)210 g (0.46 lb)
Diameter73 mm (2.87)
Length64 mm (2.52)
Filter thread67 mm
Hood suppliedYes
Tripod collarNo

Tamron developing a compact 70-180mm F2.8 telephoto zoom for Sony E-mount

Tamron has announced the development of a compact tele-zoom for full-frame Sony E-mount bodies: the 70-180mm F2.8 Di III VXD. The lens will be just 149mm (5.9") long and will weigh in at 815g (1.8lbs), and it will use the same 67mm filters as the two other lenses in the series: the 17-28mm F2.8 and 28-75mm F2.8.

The 70-180 will offer 'several' specialized glass elements and will use the company's VXD linear focus motor. The minimum focus distance is a relatively short 0.85 meters (33.5 inches). The lens will be sealed against dust and moisture, and will have a fluorine coating to repel oil and water from the front element.

Tamron says that the 70-180mm F2.8 Di III VXD will be available in Spring of next year.

Press Release:

Tamron Announces the Development of Compact and Lightweight High-Speed Telephoto Zoom Lens for Sony E-Mount Full-Frame Mirrorless Cameras

October 23, 2019, Commack, NY - Tamron announces the development of a new high-speed telephoto zoom lens for Sony E-mount full-frame mirrorless cameras, the 70-180mm F/2.8 Di III VXD (Model A056). Availability of this new zoom is planned for Spring 2020. The lens will be on display at the upcoming Photo Plus Expo in New York City this week and Salon de la Photo in Paris next month.

Developed under the concept of “making high-speed zoom lenses user-friendly,” Model A056 features a compact and lightweight design, an ideal match for full-frame mirrorless interchangeable lens cameras. The 67mm filter diameter is the same as all other Tamron lenses in this series. The optical design includes several specialized glass elements that contribute to the lens’s superb imaging performance and its very short 33.5 in MOD (Minimum Object Distance) expands overall versatility. The lens adopts Tamron’s newly developed VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism that produces a quiet, quick autofocus drive.

Other features that support a great shooting experience include a Moisture-Resistant Construction helpful for outdoor shooting and Fluorine Coating for easy maintenance. In addition, Model A056 is fully compatible with various camera-specific features including Fast Hybrid AF and Eye AF. This new model joins the 17-28mm F/2.8 Di III RXD (Model A046) and the 28-75mm F/2.8 Di III RXD (Model A036) and brings Tamron’s total of F/2.8 zoom lenses for full-frame mirrorless cameras to three.

Main features

  1. Comfortably compact (149mm / 5.9 in) and light weight (815g / 28.7 oz).
  2. 67mm filter diameter, same as all other Tamron lenses for full-frame mirrorless cameras.
  3. Superb optical performance and MOD of 5 in. for a broader range of photographic versatility.
  4. Extremely quiet and fast newly developed VXD linear motor focus mechanism.
  5. Moisture-Resistant Construction and Fluorine Coating contribute to a comfortable, user friendly photographic experience.
  6. Compatible with various camera-specific features including Fast Hybrid AF and Eye AF.

* Specifications, appearance, functionality, etc. are subject to change without prior notice.

Tamron 70-180mm F2.8 Di III VXD specifications

Principal specifications
Lens typeZoom lens
Max Format size35mm FF
Focal length70–180 mm
Image stabilizationNo
Lens mountSony FE
Maximum apertureF2.8
Aperture ringNo
Special elements / coatingsFluorine coating
Minimum focus0.85 m (33.46)
Motor typeLinear Motor
Full time manualNo
Focus methodInternal
Distance scaleNo
DoF scaleNo
Weight815 g (1.80 lb)
Length149 mm (5.87)
Zoom methodRotary (extending)
Power zoomNo
Zoom lockYes
Filter thread67 mm
Hood suppliedYes
Tripod collarNo

CalDigit launches new, rugged 512GB ‘Tuff nano’ USB-C SSDs with 1055MB/s read speeds

Computer accessory manufacturer CalDigit has released its ‘Tuff nano’ series, a lineup of compact external USB-C SSDs.

As the name alludes to, the ‘Tuff nano’ SSDs feature a protective rubber housing around a metal frame, akin to Lacie’s rugged external drives. This design offers a certified IP67 rating with the ability to be submerged under one meter of water for 30 minus, as well as dust and shock resistance.

Inside, the bus-powered SSDs is a Toshiba M.2 NVMe SSD capable of read and write speeds up to 1055MB/s and 900MB/s, respectively. Data is transferred via USB-C (USB 3.2 Gen 2) and although the drives come pre-formatted for macOS (HFS+), they will also work with ChromeOS, iPadOS, Linux and Windows devices.

The drives measure 7.59cm x 5.44cm x 1.45 cm (2.99in x 2.14in x 0.57in) and weigh just 74g (0.163lbs).

CalDigit’s ‘Tuff nano’ SSDs are currently available in 512GB capacity for $149.95 on CalDigit’s online store. Color options include ‘Charcoal Black,’ ‘Olive Green,’ ‘Royal Blue’ and ‘Tomato Red.’

Google appears to be working on account switcher and drawing features for its Photos app

Google Photos appears to be close to launching account switcher and drawing tools for its mobile app. App reverse engineer and Twitter user @wongmjane discovered the two new features in the app code and was able to turn then on manually.

There is no way of knowing when exactly they'll be rolled out to the general public but given they are in the code and apparently working, it's safe to assume this will happen in the nearer future.

Google has recently added the ability to easily switch accounts to some other of its Android apps, so it's not much of surprise to the same feature arrive at Google Photos. According to Jane Manchun Wong the function will support the same swipe gesture that we've already seen in the Gmail app, making switching between accounts extremely quick.

There'll also be a new drawing interface that will let you draw on images in seven different colors using a pen tool. You'll also be able to use a “highlighter” and insert text into your images. Overall this won't be a major update when it eventually arrives but both new features are certainly useful to have.

OmniVision has created the world’s smallest commercially-available image sensor

Sensor manufacturer OmniVision has created what has now been confirmed as the smallest commercially-available image sensor in the world by Guinness World Record.

The OmniVision OV6948 is an ultra-compact 1/36-inch backside-illuminated sensor that measures just 0.575mm x 0.575mm. The sensor, designed specifically for medical applications, features a resolution of 200 x 200 pixels, a 120-degree field of view, a 30 fps framerate and 1.75 µm pixels.

It works hand-in-hand with Omnivision’s OVM6948 CameraCubeChip, a ‘fully packaged, wafer-level camera module measuring [0.65mm x 0.65mm x 1.158mm],’ to open up a whole new realm of medical imaging capabilities thanks to its compact form factor and low-light capabilities thanks to Omnivision’s OmniBSI technology.

The OVM6948 CameraCubeChip next to a black peppercorn.

In a statement to Engadget, OmniVision Marketing Director Aaron Chiang says the camera module ‘offers a compact, high quality solution for disposable guidewires, catheters and endoscopes, which are experiencing growing demand because of their ability to reduce cross-contamination risks, downtime inefficiencies and costs associated with the repairs, preprocedural testing and sterilization of reusable endoscopes.’

This particular sensor might not have a practical purpose in the world of photography as we’re accustomed to here on DPReview, but it’s a glimpse into the reality of just how small camera sensors can get when technology is pushed to the limits.

Image credit: Photos provided by OmniVision

Utah Senator introduces Drone Integration and Zoning Act of 2019

Republican Utah Senator Mike Lee was heavily involved in the unsuccessful Drone Federalism Act of 2017, a bill sponsored by California Senator Dianne Feinstein that sought to restrict drone usage by giving local government and property owners jurisdiction over National Airspace. Now he's back with a new bill, the Drone Integration and Zoning Act, that will allow cities, states, and Native American tribes to set their own rules on low-flying drones, effectively overriding regulations set by the Federal Aviation Administration (FAA).

In a statement regarding the new bill, Sen. Lee said:

'The FAA cannot feasibly or efficiently oversee millions of drones in every locality throughout the country [...] The reason that the states have sovereign police powers to protect the property of their citizens is because issues of land use, privacy, trespass, and law enforcement make sense at the state and local level. The best way to ensure public safety and allow this innovative industry to thrive is to empower the people closest to the ground to make local decisions in real time and that is exactly what the Drone Integration and Zoning Act does.'

Basically, if passed, it would give home owners, local businesses, and counties full control over the first 200 feet of airspace above their designated property lines. Above 200 feet, FAA rules would apply. The FAA is not in favor of being overruled by local governments as these new ordinances would create even more confusion amongst drone operators. In a statement to Axios, DJI’s Director of U.S. legislative affairs, Mark Aitken, said the bill would 'spur state and local governments across the country to impose harsh and conflicting taxes and fees on professional and recreational drone flights, throttling an industry still in its infancy.'

Currently, 34 out of 50 U.S. states, including California, are legally allowed to enforce their own regulations and restrictions on drone use at a county level. One state where this isn't allowed is Michigan and a group of people, including the Michigan Coalition of Drone Operators, is fighting back. Back in December, a Genesee County sheriff arrested and detained Jason Harrison for flying in a park. The flight was legal, despite them attempting to rewrite legislation on drone use to fit their preferences – something that is in violation of Michigan State Law – Public Act 436 of 2016.

A follow-up trial is scheduled for November 8th in Flint, Michigan. If the judge rules in Harrison's favor, it will hopefully set a precedent for how National Airspace is dictated across the U.S. While the Drone Integration and Zoning Act of 2019 will likely not gain much traction with Congress, it's still worth writing your Senator to explain how patchwork drone laws will only cause chaos and confusion amongst operators and lawmakers, alike.

Olympus E-M5 III sample gallery (DPReview TV)

This gallery contains additional sample images from the new Olympus E-M5 III, captured while shooting our hands-on preview of the camera for DPReview TV.

Did you miss our hands-on preview of the Olympus E-M5 III? Watch it here.

See our Olympus E-M5 III gallery from DPReview TV

Google’s Dual Exposure Controls and Live HDR+ features remain exclusive to Pixel 4

Google's brand new flagship smartphone Pixel 4 comes with a variety of new and innovative camera features. Google has already said that some of those features, for example the astrophotography mode, will be made available on older Pixel devices via software updates.

However, two of the new functions will be reserved for the latest generation Pixel devices: Dual exposure controls, which let you adjust highlights and shadows via sliders in the camera app, and Live HDR+, which gives you a WYSIWYG live preview of Google's HDR+ processing. Google confirmed this in a tweet:

According to the tweet the reason these two features won't be available on the Pixel 3 and older devices is down to hardware rather than a marketing decision. It appears the older phones simply don't have enough processing oomph to display the HDR+ treatment and manual adjustments in real time.

Irix announces impending release of its new 45mm T1.5 cinema lens

Cine lens manufacturer Irix has announced the impending arrival of the Irix Cine 45mm T1.5, its latest full-frame cinema lens.

This new lens marks the third full-frame cinema lens Irix has made specifically for shooting at up to 8K resolution. Irix says the 45mm T1.5 is ‘based on a completely new [11 elements in 9 groups] optical design which includes four elements made of high refraction glass, one extra-low dispersion lens and one aspherical lens’ and delivers ‘ultra-low’ 0.5-percent distortion.

The nine-blade aperture diaphragm ranges from T1.5 to T22 and the lens features ‘practically no focus breathing,’ according to Irix. Other features include a 95mm front filter thread on the housing of the lens, another 86mm built-in filter thread and a reversible lens hood that’s attached via magnets, which Irix teases will work with ‘future accessories.’

The gears are standardized 0.8 pitch mod cine gears and the lens, which is constructed of a magnesium-aluminum alloy is sealed. Irix doesn’t specify what the lens should be able to handle, other than saying it’s ‘prepared for all weather conditions.’

The Irix Cine 45mm T1.5 will be available in Canon EF, Sony E, MFT and Arri PL mounts. Pricing and availability ‘will be announced soon.’

Press Release

Irix Cine 45mm T1.5 — into the art of cinematography

Irix expands its offer of cinematographic lenses with the new full-frame 45mm T1.5.

Irix, the manufacturer of high-class optics, expands its Cine line by introducing the new 45mm T1.5 lens. This new model is the third full frame cinematographic lens designed for shooting with Ultra HD 8K cinema cameras. The Irix 45mm T1.5 is based on a completely new optical design which includes four elements made of high refraction glass, one extra-low dispersion lens and one aspherical lens. 11 elements in 9 groups deliver crisp details, vibrant colors and an ultra-low - 0,5% distortion. The circular 9-blade iris ensures a pleasant background blur and a smooth adjustment of the T- number from 1.5 to 22. With practically no focus breathing, the Irix Cine 45mm T1.5 is the perfect lens for filming scenes with a natural character.

Press release October 21st, 2019 — Irix Cinematic Design

The 45mm T1.5 is the third lens in the Irix Cine line which stands for a perfect combination of advanced technology and modern design. A good example of the Irix smart design is the front housing element which has a diameter of 95mm and a built-in 86mm filter thread. It also provides a magnetic mount for the reversible lens hood and for future Irix Cine accessories.

This synergy is also visible in the shape of the geared rings which have been integrated into the lens housing. The convenience of operating by hand and full compatibility with follow focus systems was a priority in the external design of the lens. You can use any follow focus system you like and position it wherever you want to thanks to a special rotating adaptive ring design. The adaptive ring can be adjusted to any desired position and expose the geared ring to couple with follow focus systems.

The Irix Cine line has been carefully deliberated from the start. The focus and aperture rings of all the lenses are aligned at the same height and have the same rotation angle. With the exception of the Irix

150mm T3.0 Macro 1:1, where a longer 270 degrees focus throw is necessary, the rest of the Irix Cine range lenses have ring rotations of 180 degrees for the focus ring and 75 degrees for the aperture ring.

Ready to shoot in any weather conditions

A high-class cinematic lens must work in any atmospheric condition. No matter if you are shooting on burning sand in the Sahara Desert or on the frozen peaks of the Himalayas - the Irix 45mm T1.5 is prepared to not only face it, but also to capture the best image possible. Every time. Enjoy your lens’ reliable construction with rubber seals placed in all the crucial points to ensure protection against rain or dust. Now, you can film anytime, anywhere - and seize the wondrous power of nature.

Your comfort is important! Focus and aperture marks are laser engraved and filled with UV paint. This makes them visible, even in low-light environments.

Versatility and compact in size

Irix Cine lenses are some of the most compact and lightest film lenses covering the full frame format. The housing is made of a lightweight and impact-resistant aluminum-magnesium alloy which has been successfully used and tested in the Irix Blackstone still lenses. Thanks to the low weight (every Irix Cine lens weighs about 1.1 kilograms / 2,4lbs), they can be used on smaller cameras on handheld rigs or stabilizers as well as on professional setups. In order to achieve greater comfort while working with follow focus systems, the Irix Cine lenses are equipped with a lens support foot. Depending on your needs, this support foot can be attached to the lower or upper part of the lens.

Key features of the Irix Cine 45mm T1.5 lens:

  • Mid-range focal length with field of view 51,4°

  • Suitable for shooting with Ultra HD 8K resolution cameras

  • High-quality optical elements - 11 elements in 9 groups. HR, XLD, ASP produced in


  • High maximum transmittance value of T1.5 up to T22

  • Standardized 0.8 Pitch Mod Cine Gears

  • Very low distortion -0.5%

  • Sealed construction prepared for all weather conditions

  • Compatibility with standard follow-focus systems and lens control motors

  • Front filter thread size 86 x 1.0 mm

  • Standard 95mm front diameter for cine accessories

  • Equipped with a support foot

  • Irix Magnetic Mount System

  • Focus scale available in metric or imperial units

  • Laser engraved markings filled with UV paint

  • Durable magnesium-aluminum alloy

  • Weight 1.1 kilograms / 2.42lbs

Available mounts

The Irix Cine 45mm T1.5 lens will be available in the four most popular industry mounts: Canon EF, Sony E, Olympus / Panasonic MFT and Arri PL-mount

Price and availability

Price and availability of the Irix Cine 45mm T1.5 lens will be announced soon.

Lomography launches LomoMod No.1 DIY cardboard camera with a liquid-filled lens

Lomography has introduced LomoMod No.1, a DIY medium-format camera constructed from cardboard, as well as a new lens with a shutter and aperture unit. The lens can be filled with liquid from a syringe, according to Lomography, in order to produce 'unique artistic aesthetics' using tea, coffee, and more.

Much in the same way as Google's cardboard virtual reality headset, Lomography's new LomoMod No.1 ships as flat-packed sustainable cardboard that the customer assembles at home. This process appears fairly straightforward, as the construction doesn't require glue or screws to put together. In addition to being moddable, the cardboard camera is also doubled-sided to offer matte black and UV pattern options.

Below is a gallery of sample images taken with the camera:

Beyond the cardboard camera body, the LomoMod No.1 features a unique lens that replaces traditional filters with an injectable design. The companion shutter and aperture module feature both normal and bulb modes with support for long exposures. The unit features customizable aperture plates, as well, for creating 'unique' bokeh. Rounding out the design is a tripod mount and PC-sync and cable release socket.

The full kit ships with:

  • 11 Sheets of Cardboard Cutouts
  • 1 Sheet Aperture Plates Set
  • Sutton Lens Module
  • Aperture and Shutter Module
  • 120 Film Spool
  • Tripod Nut
  • Tube
  • Syringe
  • Valve
  • Colorful Stickers
  • Photo Book & User Manual

The Lomography LomoMod No.1 is available to pre-order for $59 USD. Units have already started shipping in Hong Kong but won't start shipping in Japan, the United States or Europe until early next month.

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