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Venus Optics reveals four new Laowa lenses for Sony FE, Fuji GFX, and more

Filed Under News: Digital Photography Review

Venus Optics has unveiled several new lenses today, including a wide-angle lens for the Fuji GFX mirrorless medium format camera, and the "world's widest zoom lens for Sony full-frame E-mount cameras." There are four new lenses in all: the Laowa 10-18mm f/4.5-5.6 FE Zoom, Laowa 100mm f/2.8 2X Ultra Macro APO, the Laowa 17mm f/4 GFX Zero-D, and the Laowa 4mm f/2.8 Fisheye MFT.

All four will be on display at Venus Optics' booth at the Beijing P&E Imaging fair. But in case you don't happen to be in Beijing between May 3rd and the 6th, read on to find out what these lenses are all about.

Laowa 10-18mm F4.5-5.6 FE Zoom

The Laowa 10-18mm F4.5-5.6 FE Zoom is the aforementioned "world's widest zoom lens for Sony full-frame E-mount cameras." According to Venus Optics, the lens was primarily designed for travel photography, offering an angle of view between 102° and 130° in a package that weighs only 496g and is less than 100cm in length.

Inside the 10-18mm F4.5-5.6 you'll find 14 elements in 10 groups, including two aspherical elements and one extra-low dispersion element. The lens' aperture can be de-clicked using a switch on the lens barrel, and if you like using filters, you'll be happy to know the lens features a rear filter slot built to handle 37mm filters.

This Laowa 10-18mm F4.5-5.6 FE Zoom will be available only in Sony FE mount.

Laowa 100mm F2.8 2X Ultra Macro APO

Next up, the Laowa 100mm F2.8 2:1 Ultra Macro APO is... well... it's an ultra-macro lens that offers a maximum magnification of 2x with a minimum focusing distance of just 24.7cm. The lens can focus from 2:1 macro to infinity, and promises "crystal [clear] sharpness image in both macro and tele distances" thanks to an optical design consisting of 12 elements in 10 groups.

The Laowa 100mm F2.8 2X Ultra Macro APO is the only lens released today that isn't limited to a single mount. When it ships, you'll be able to get it in Canon EF, Nikon F, Pentax K, and Sony FE mounts.

Laowa 17mm F4 GFX Zero-D

Third party options for the mirrorless medium format Fujifilm GFX camera are still somewhat limited—at least compared to more popular mounts like Sony FE, not to mention Canon EF or Nikon F. So it was a nice surprise to see Venus Optics release the 17mm F4 GFX Zero-D.

The 14mm F4 GFX is another of Venus Optics Zero-D lenses, offering a full-frame equivalent focal length of 13mm and a field of view of 113° with "close-to-zero distortion." The lens is made up of 21 elements in 14 groups, including two aspherical and three extra-low dispersion elements. Venus Optics claims this lens is "ideally suited for landscape, architecture and interior photography."

Laowa 4mm F2.8 Fisheye MFT

Last but not least, we have the only Micro Four Thirds lens of the bunch: the Laowa 4mm F2.8 Fisheye MFT. This circular fisheye lens offers a 210° angle of view at a full-frame equivalent 8mm focal length. Made up of 7 elements in 6 groups, the ultra-portable lens weighs just 135g to keep your MFT kit light and agile.

Here are detailed specs for all four lenses:

All of the new lenses are expected to ship "in mid/late 2018" according to Venus Optics, although "exact ship date and pricing are to be confirmed."

Press Release

Venus Optics announces 4 new & unique lenses in development, led by the Laowa 10-18mm f/4.5-5.6 FE, World’s widest zoom lens for Sony full frame E-mount cameras

All 4 lenses will make their debut in the coming Beijing P&E Imaging Fair.

Anhui China, Apr 20, 2018 – Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to announce 4 new and unique lenses.

  • Laowa 10-18mm f/4.5-5.6 FE Zoom
  • Laowa 100mm f/2.8 2X Ultra Macro APO
  • Laowa 17mm f/4 GFX Zero-D
  • Laowa 4mm f/2.8 Fisheye MFT

Laowa 10-18mm f/4.5-5.6 FE Zoom

This lens is currently the widest zoom lens available for Sony full frame E-mount cameras. Designed primarily for travel photography, Venus optics have managed to compress the size to smallest in its class, less than 10 inch (<100cm) and only 1.1 pounds (<500g). The 102° (18mm) to 130° (10mm) angle of view provides flexibility for photographers to compose landscape or architecture photos with ease. The lens houses with 14 elements in 10 groups with 2 aspherical elements & 1 extra-low dispersion element to deliver exceptional performance. It can focus as close as 15cm for some mini-macro shooting. A rear filter slot is included to fit with 37mm filter. Click/clickless aperture can be toggled by the switch on the lens barrel.

Laowa 100mm f/2.8 2X Ultra Macro APO

Followed by the success of the Laowa 60mm f/2.8 2:1 Macro, the 100mm f/2.8 2:1 Macro is the 2nd member of Laowa 2:1 macro line-up. This new 100mm lens can cover full frame sensor size and focus from 2:1 magnification to infinity. The wide magnification range allows macro photographers to capture subject at any sizes. This 100mm portrait lens also features an apochromatic (APO) characteristic that no chromatic aberration can be found. The 12 elements in 10 groups optics design delivers a crystal sharpness image in both macro and tele distances. Canon EF / Nikon AI / Pentax K / Sony FE mounts are available.

Laowa 17mm f/4 GFX Zero-D

This is currently the widest available native lens option for Fujifilm G-mount cameras. The new Laowa 17mm f/4 GFX has a field of view equivalent to 13mm in 35mm format (113°). Featuring a close-to-zero distortion and 86mm filter thread, this lens is ideally suited for landscape, architecture & interior photography. The 21 elements in 14 groups design with 2pcs of aspherical & 3pcs of Extra-low dispersion elements successfully help to control the distortion & chromatic aberrations to the minimal.

Laowa 4mm f/2.8 Fisheye MFT

Featuring a 210° angle of view, this lens delivers unique circular fisheye field of view on Micro four thirds cameras. The ultra-wide angle view allows photographers to create 360° panorama with ease. Despite the unique & ultra-wide perspective, the lens only weighs 0.3 pounds (135g).


All four lenses will be available for trial at Venus Optics’ booth (T225) in Beijing P&E Imaging fair during 3rd-6th May 2019. They are expected to be shipped in mid/late 2018. Exact shipping date and pricing are to be confirmed.


The 5-in-1 ‘One Backpack’ wants to be your do-it-all bag

Filed Under News: Digital Photography Review

Design company ITR Studio has launched a Kickstarter campaign for its The One Backpack, a 5-in-1 modular backpack that can be used as a camera bag, work & gym pack, suit carry backpack, travel pack or tech-backpack, doing away with the need for multiple single-purpose bags.

A magnetic system is used to attach modules to the base pack and adjust for different purposes and loads. Five modules are available to configure the pack: a camera module, a sports module, a sling module, a suit carry module and a pouch module.

The padded camera module is designed to carry a DSLR and two lenses or a DJI Mavic Pro drone with extra battery. The sports module comes with a portable and washable shoe bag. All modular components can be used individually or in combination, depending on your requirements.

The base pack has a capacity of 30 liters and is available on Kickstarter at an early bird price of $140 USD. The individual modules will set you back between $53 USD for the camera module and $85 USD for the suit carry module. For more information, check out the product video below or head over to The One Backpack Kickstarter page.


Sample gallery: Nikon 180-400mm F4E TC1.4 FL ED VR

Filed Under News: Digital Photography Review

Announced just in time for the 2018 Winter Olympics, the Nikon 180-400mm F4E TC1.4 FL VR has a built in 1.4x teleconverter - when engaged it provides a 252-560mm focal range with an F5.6 max aperture. Similar in design to Canon’s EF 200-400mm F4L IS USM Extender 1.4x, we expect this $12,000 lens to mostly find its way into the hands of working sports, action and wildlife photographers.

Though we at DPReview are none of the above, we also weren’t going to pass up an opportunity to give it a try. An exhibition soccer (football) match between two local Seattle colleges provided the perfect chance to shoot with it mounted on the Nikon D5.

Set up at the midfield line, the 180-400mm range was enough to effectively cover most game play. But the extra bit of reached provided by the teleconverter allowed me to occasionally punch in on the action when I felt comfortable. And engaging the teleconverter is as simple as flipping a switch near its base - a satisfying quiet ‘thunk’ sound lets you know it’s in place. By halftime, I'd mastered the art of flipping it on and off with my eye to the finder.

Weighing about 9 pounds, a monopod is a must when using this lens.
ISO 560 | 1/1000 sec | F4 | 180mm

As you might hope from a camera and lens combination costing almost $20,000, the autofocus hit-rate from the soccer match was nearly perfect. A majority of the images were shot with the camera set to its Auto area mode, which for the most part locked on to my intended subject.

Once back in the office, with the images up on a computer, I was impressed by the lens's sharpness, even with the teleconverter engaged. And though there is some pretty heavy vignetting when the teleconverter is used, it can easily be corrected in post (we chose not to for the purposes of this gallery). Of course one soccer match is hardly enough time spent with Nikon's 180-400mm F4 to truly test and appreciate what it is capable of. Fortunately we have a little more time with it and the weather in Seattle is just starting to get nice. So stay tuned for more samples, to be posted soon.

See our Nikon 180-400mm F4E TC1.4 FL VR galleryNote: We ordinarily try to keep sample photos in our lens galleries at ISO 800 or below, however we've included some higher ISO images shot during the match after the sun set. No noise reduction was applied to these images beyond ACR default.


Viral KFC ad campaign turns fried chicken into flames with Photoshop

Filed Under News: Digital Photography Review

New York City-based advertising agency Ogilvy and Mather's latest ad campaign for KFC Hong Kong is on fire... so to speak. Tasked with advertising the release of KFC's Hot & Spicy chicken, the agency created a clever collection of images that morphs the flaky breading and orange tint of crispy chicken into smoke and flames.

The clever Photoshop jobs include compositions of the spicy chicken with space shuttles, power rangers (we think?) and a rocket-toting drag racing car, but the concept has taken on a life of its own as all good memes do. A few Twitter users around the world have started Photoshopping their own versions of fried-chicken-as-fire.

The series of advertisements picked up attention from the Post-Production Ads Reference Awards for the clever campaign—a well -eserved accolade. Below are a list of contributors to the campaign, as seen on the Ogilvy and Mather agency’s Behance collection.

Agency: Ogilvy & Mather Hong Kong

Client: KFC Hong Kong

Chief Creative Officer: Reed Collins

Creative Director / Business Partner: John Koay

Creative Director: Matt Nisbet

Associate Creative Director: Kai Fung Chan

Art Director: John Koay

Account Manager: Stella Fung

Project Manager: Jennifer To

Photographer: Illusion, Bangkok

Illustrator: Illusion, Bangkok

Retoucher: Illusion, Bangkok


The Photo Studio AR app lets you ‘simulate’ a photo shoot with 3D models

Filed Under News: Digital Photography Review

Have you ever been at a beautiful location and wondered what a photo might look like if you had a model and some lighting equipment on hand? Well, you no longer need to wonder. Los Angeles-baased visual effects studio Surpuba AR has released Photo Studio AR, an app for Android and iOS devices that uses augmented reality (AR) to project a model into any real-world scene you can imagine.

The app features a collection of 3D-rendered models, all based off real people. You can pose them in multiple animated positions, change their location in the AR environment, resize them to fit the scene and even switch their outfits (and purchase other 3D models) via in-app purchases.

As for lighting, you can add multiple lights and props to the scene to emulate what a particular setup would look like. You can even alter where the artificial sunlight is in the app so that it reflects the Sun’s current position in the sky.

Finally, there’s also a built-in recording function so you can save your AR location scouting trip for reference down the road.

A collection of screenshots showing off the props and light modifiers available in Photo Studio AR.

You can purchase Photo Studio AR for both Android and iOS devices for $10. In-app purchases start at one dollar a piece. To learn more, head over to the company's website by clicking here.


Oppo and Corephotonics sign strategic agreement around dual-cameras

Filed Under News: Digital Photography Review

OPPO, one of China's largest mobile phone manufacturers, has signed a strategic licensing agreement with Corephotonics, a developer of dual-camera technologies based in Israel. Under the agreement, the two companies will work together on the development on Oppo's smartphone camera roadmap, covering optical zoom, depth mapping for bokeh simulation and related features, as well as other areas involving smartphone camera optics optics, mechanics, computational imaging and deep learning among others.

Mobile photography is a key focus of OPPO, and we have always been eager to forge strong partnerships with leading suppliers like Corephotonics,” said Dr. King, OPPO’s Hardware Director. “Corephotonics’ dual cameras with wide-angled and telephoto lenses, along with the periscope-style construction, optical image stabilization and image fusion technology, edge mobile photography even closer to what digital cameras are capable of doing.

Oppo and Corephotonics have worked together in the past, including on a 5x optical zoom module that was implemented in an Oppo prototype device and displayed at last year's MWC. We're looking forward to seeing the results from this now more formalized relationship.


Canon unveils compact, rechargeable IVY Mini Photo Printer

Filed Under News: Digital Photography Review

Credit: Canon

Canon has just released its smallest and lightest printer yet. The IVY Mini Photo Printer is a rechargeable battery-powered portable printer that uses ZINK Zero-Ink technology to create 2x3 prints and stickers of your smartphone photos from anywhere. The printer launches today, and offers some stiff competition to similar instant printers from Polaroid and Fujifilm.

Like all the other portable printers on the market, the IVY uses an app to sync with your smartphone. In this case it's the Canon Mini Print App, which has been tricked out with a lot more than just a "print this photo" button. The app allows you to apply filters, frames, AR face distortion, and other photo-editing tools "including added text [...] and the option to draw."

If 2x3 is too small for you, the app also allows you to "tile print" images using either four or nine frames to create one larger collage. Alternatively, there are "over ten unique collage templates" you can print onto a single 2x3 sheet.

Here's a closer look at the printer:

The IVY Mini Photo Printer is available starting today in Rose Gold, Mint Green and Slate Gray for $130. The printer comes with a 10-photo starter pack of ZINK paper, with refills costing $10 and $25 for the twenty- and fifty-sheet packs, respectively.

The Canon Mini Print App is available for free for both iOS and Android.

Press Release

#LiveIRL With Canon U.S.A.’s New IVY Mini Photo Printer

With the Push of a Smartphone Button through the Canon Mini Print App, Print Creative 2x3 Photos and Stickers in Seconds

MELVILLE, N.Y., April 19, 2018 – Today’s consumers are increasingly looking for unique ways to seamlessly blend their personal online brand and real life persona. With internet users having an average of seven social media accounts, products that support connections between people and technology have become ever more important. In that spirit,Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the IVY Mini Photo Printer. Available in Rose Gold, Mint Green and Slate Gray, the IVY Mini Photo Printer empowers the next generation of creators to tell and share their story in real life (IRL) through the power of print in the digital age.

“The proverb ‘good things come in small packages’ couldn’t be more true for the first 2x3 photo printer from Canon U.S.A.” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “It’s our smallest and lightest printer yet, and the company is excited about giving customers more access to creatively connect and instantly share memories than ever before from the palm of their hand.”


For smartphone photographers seeking to stay portable and on the go with their devices, this sleek and compact portable printer has an extensive list of standout, user-friendly features through the Canon Mini Print app. The app includes creative filters, such as photo frames and stickers, augmented reality (AR) face distortion, as well as additional photo-editing tools including added text, fun frames and the option to draw. These features encourage users to creatively add fun enhancements and share those distinctive memories in real time in either a 2x3 print or sticker output option.


With customization at the foundation, this printer, through the Canon Mini Printer App, offers the option to print not only individual smudge-free and water-resistant 2x3 prints or stickers, but also a tile print that is made up of four or nine prints, as well as over ten unique collage templates that print on one 2x3 photo. From selfies to sunsets, this output option offers the freedom of expression for a wide variety of consumers.


The IVY printer utilizes ZINK Zero Ink™ Technology from ZINK™, an amazing way to print in full color without the need of ink cartridges. Additionally, each pack of paper comes with one blue ZINK SMART SHEET™; calibrating your IVY printer to the photo paper in that pack to produce an image that meets Canon’s high-quality image standards.

The Canon IVY Mini Photo Printer is currently available for an estimated retail price of $129.99, which includes the printer body and a starter pack of ten sheets of photo paper. Twenty-sheet and fifty-sheet packs of photo paper will also be available for an estimated retail price of $9.99 and $24.99, respectively.

For more information, please visit


GoPro will now accept almost any digital camera for trade-in, even ‘destroyed’

Filed Under News: Digital Photography Review

GoPro has relaunched its Trade-Up program, this time as a permanent option for customers located in the United States. The program first launched last year, but only as a temporary promotion limited to previous-generation GoPro cameras exchanged for discounts on current-generation models. This time around, GoPro is accepting nearly any digital camera in any condition.

The company says it will accept any GoPro or non-GoPro digital camera under the program, and that any condition is acceptable, including "destroyed." To participate, customers must use the Trade-Up website to purchase either a Fusion or HERO6 Black, where they'll receive a $50 discount on the HERO6 Black (bringing the price down to $350) and/or a $100 discount on the Fusion (bringing the price down to $600).

GoPro provides the customer with a prepaid shipping label to send the company their trade-in camera; once the trade-in is verified, GoPro ships the newly purchased camera to the customer.

According to the program's FAQ, the trade-in camera must have a new value of at least $100 USD, and while multiple cameras can be traded-in, only one discount can be applied per camera purchase. Customers have 45 days to ship the trade-in to GoPro; once received, the company will charge their payment card for the new device.

Explaining why it decided to expand the program to cover any digital camera, GoPro says, "It’s not so much that we want your old camera. We just want to make it easy for you to get your hands on the latest and greatest GoPro."

Press Release

GoPro Launches Camera Trade-Up Program for HERO6 Black and Fusion Cameras

Send in Any Older-Generation GoPro - or Any Other Digital Camera - and Receive $50 off HERO6 Black and $100 off Fusion at

SAN MATEO, Calif., April 18, 2018 – GoPro, Inc. today announced the launch of its camera Trade-Up program, offering users in the United States the ability to trade up from any previous-generation GoPro, or any other digital camera, to experience its latest and greatest products. Starting today, anyone in the U.S. can receive $50 off a new HERO6 Black or $100 off Fusion by participating in the program at

GoPro first introduced its Trade-Up program for a limited time in 2017, which only accepted previous-generation GoPro models in exchange for a discounted upgrade to a current model. Nearly 12,000 customers participated in the 60-day promotion. The new and improved Trade-Up program brings back the initiative with major enhancements, including the acceptance of any digital camera and making it an everyday offer.

"The Trade-Up program is a great way for our fans and customers to upgrade to our newest products and experience how fun and convenient GoPro has become," said Meghan Laffey, senior vice president of product at GoPro.

To participate in GoPro's Trade-Up Program, customers should visit the Trade-Up website, select the new camera of their choice, and follow the instructions to return their old GoPro or digital camera. Upon receiving the returned camera, GoPro will process the discounted order and ship the new HERO6 Black or Fusion to the customer. Returned cameras will be recycled responsibly via zero landfill and recycling methods appropriate to material type.

To learn more about GoPro's Trade-Up Program, visit


Rylo update adds 180° mode, bluetooth capture and motion blur timelapse effect

Filed Under News: Digital Photography Review

Credit: Rylo

The popular Rylo 360° camera—a camera we called the "360 degree camera done right" in our review—is receiving a major update today. The update adds two new features for both iOS and Android users of the Rylo camera and app, with a third feature available only to iOS users for now.

Let's take them one by one.

180° Mode

The new 180° video mode shrinks the field of view, allowing you to capture 180° video at higher resolution and better image quality than 360° mode allows. According to Rylo, 180° mode "is especially useful for chest-mounted shots or activities/scenarios in which one lens is blocked."

Bluetooth Remote Capture

The name kind of gives this one away. Remote capture lets you sync your phone to the Rylo camera via bluetooth, which allows you to: switch between recording modes, start or stop a video, and snap a photo, all from the app on your phone.

Obviously, this feature will help if you've got the camera mounted somewhere hard to reach.

Motion Blur

A new feature for timelapse shooting, Motion Blur adds a 'cinematic' motion blur effect that is actually synced up to the speed of your timelapse shots (more speed = more blur). The effect doesn't show up while shooting, but will be viewable upon export.

All three features ship today, although Bluetooth Remote Capture is currently only available for iOS, with Android support "coming soon."

If you own a Rylo 360-degree camera and want to try these features out, all you need to do is update your Rylo app via the App Store or Google Play, then update your camera's software through the app. And if you haven't heard about the Rylo and want to know what this camera is all about, check out our full review at the link below.

Review: Rylo is a 360° camera done right


Capture One update adds new styles workflow, updated camera support

Filed Under News: Digital Photography Review

Phase One has launched the first major update to Capture One Pro 11, the company's Raw conversion and photo editing software. Capture One 11.1 brings along a few important new features, including improved import performance, an updated styles workflow, a new resource hub, enhanced LCC presets, and support for new cameras and lenses.

The most obvious changes in the update come in the form of new workflow adjustments that should speed up the importing and processing of large numbers of photos. Now, you can apply styles and presets directly to a photo or on top of it as a layer; for even more control, you can control the opacity to make sure the effect is as subtle or significant as you want it to be.

Capture One has also thrown in a new ‘Spring’ collection as part of its included styles packs.

A new ‘Normalize’ tool has also been added to the workflow. This tool replaces the old ‘Skin Tone White Balance’ tab within the white balance module and, "is designed to make easier baseline corrections to images."

And if you’re new to Capture One (or simply want to refresh your skill set) Capture One has dropped the learning curve by adding a new Resource Hub. You can now get instant access to free learning resources directly in the app, including: tutorials, webinars, news, and blogs, plus direct access to support and Capture One’s web shop.

Finally, Capture One 11.1 also includes updated support for eight new cameras and 16 lenses. Below is a full list of the cameras and lenses that have been added to the more than 400 cameras already supported:


  • Sony A7 Mk III
  • Fuji lm X-H1
  • Leica CL
  • Leica M262
  • Leica TL2
  • Leica V-Lux Typ 114
  • Leica X-U
  • Olympus E-M10 mkIII
  • Olympus E-PL9
  • Panasonic G9
  • Panasonic GH5S


  • Canon EF 24-105mm f/4L IS II USM
  • Leica Elmarit M 90mm f2.8
  • Leica Summicron M 90mm f2
  • Sony E 18-135mm f/3.5-5.6 OSS (SEL18135)
  • Sony FE 24-105mm F4 G OSS (SEL24105G)
  • Tamron 16-300mm F/3.5-6.3 Di II VC PZD MACRO B016 • Tamron 28-300mm F/3.5-6.3 Di VC PZD A010
  • Tamron SP 35mm F/1.8 Di VC USD F012
  • Tamron SP 70-200mm F/2.8 Di VC USD G2 A025
  • Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD F017

For owners of Capture One Pro 11, version 11.1 is available as a free update for both MacOS and Windows. If you don’t own the current version, Capture One 11.1 can be purchased for a one-time fee of $300 or used via subscription for $20 per month, or $180 per year if paid up front. There's also a free 30-day trial if you want to test the waters before you commit.

To see what else is new and to purchase Capture One 11.1, head on over to the Capture One website.

Press Release

Phase One Releases Capture One 11.1

Update Provides New Resource Hub, Expanded Camera Support and Improved Workflow

COPENHAGEN, Apr. 19, 2018 – Phase One, the world’s leading manufacturer of high-end digital camera systems, today released Capture One 11.1, a feature release to the industry’s premier RAW conversion and image editing software. The release enhances the Capture One user experience, through a new support platform and functionality updates to ensure a faster, smoother workflow. Improved Styles and presets workflow, support for 11 new cameras, including Sony A7 Mk III and Fuji X-H1 and 10 new lenses, including Tamron lenses for both Nikon and Canon, and an all-new Resource Hub are among the latest updates.

“Capture One remains dedicated to the needs of ambitious photographers. These latest updates introduce an extension to camera and lens support, as well as an all-new Resource Hub. The Resource Hub is an in-app portal that allows users to easily access news, tutorials, updates and much more – all designed to inspire photographers and ensure the best workflow and user experience in Capture One,” said Jan Hyldebrandt-Larsen, VP Software Business at Phase One.



A new workflow adds a much faster way to apply both Styles and Presets to a Layer on one or multiple images, offering a direct control of opacity, imperative to wedding and portrait photographers.

Furthermore, a new Spring Styles Pack is included, offering bright pastel color grading to images, particularly helpful to wedding, portrait and landscape photography.


The Resource Hub has been introduced to offer quick access to free learning resources via a dynamic on-screen portal. Tutorials, news, webinars, blog posts and much more are offered in one convenient location to improve the user experience and learning curve with Capture One.


The normalization tool provides a reference point for exposure and white balance for batch adjustments, now allowing any color to be used when previously the only option was a neutral grey.


The Capture One R&D team, alongside our color scientists, analyze hundreds of images from each camera to provide photographers access to the best out of box experience with natural profiles. Below outlines the new camera and lens additions that Capture One 11.1 supports. A full list of supported cameras can be found here:

New camera support includes:

  • Fujifilm X-H1
  • Leica M262
  • Leica CL
  • Leica X-U
  • Leica V-Lux Typ 114
  • Leica TL2
  • Olympus OM-D E-M10 Mk III
  • Olympus E-PL9
  • Panasonic G9
  • Panasonic GH5S
  • Sony A7 Mk III

New lens support includes:

  • Canon lens:
    • Canon EF 24-105mm f/4L IS II USM
  • Leica lenses:
    • Leica Elmarit M 2.8/90
    • Leica Summicron M 2/90
  • Sony lenses:
    • Sony E 18-135mm f/3.5-5.6 OSS (SEL18135)
    • Sony FE 24-105mm F4 G OSS (SEL24105G)
  • Tamron lenses:
    • Tamron SP 70-200mm F/2.8 Di VC USD G2 A025
    • Tamron SP 35mm F/1.8 Di VC USD F012
    • Tamron 28-300mm F/3.5-6.3 Di VC PZD A010
    • Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD F017
    • Tamron 16-300mm F/3.5-6.3 Di II VC PZD MACRO B016


Capture Pilot 2.0 adds camera control support for Sony, allowing users to change camera settings of the tethered camera directly from your iOS device.*


Capture One 11.1 is available now for the Mac and Windows operating systems online at and from Phase One authorized partners worldwide

Capture One Pro

Owners of Capture One Pro 11 perpetual and subscribers can update for free by downloading. New customers can purchase Capture One Pro 11 for 299 USD or 279 EUR. Capture One Pro 11 is also available by subscription. A single-user subscription is 20 USD/EUR per month for a 12-month plan or a 180 USD/EUR prepaid subscription, paid annually.

Owners of Capture One Pro 9 and 10 can upgrade for 119 USD/EUR

Capture One Pro Sony

Owners of Capture One Pro Sony 11 can upgrade for free by downloading. New customers can purchase Capture One Pro Sony 11 for 79 USD/EUR.

Owners of Capture One Pro Sony 9 and 10 can upgrade for 69 USD/EUR.

Download a 30-day trial

A fully functional version of Capture One is available for a 30-day trial. Download the trial here:

Please see all products and payment options at

*Requires in app purchase.