Yuneec Mantis Q 4K camera drone offers voice control and 33 minute flight time

Yuneec has introduced the Mantis Q, a consumer drone with an integrated 4K camera, electronic image stabilization and voice control. The model is designed for both outdoor and indoor use, utilizing down-facing dual sensor alongside infrared detection to navigation inside buildings. Mantis Q includes a controller with a smartphone mount in addition to the voice control.

Yuneec Mantis Q is small and lightweight at 16.7 x 9.7 x 5.6cm / 6.6 x 3.8 x 2.2in when folded; it weights of 0.5kg / 1lb. The drone's integrated camera supports recording video and capturing images at 4800 x 2700 (16:9) and 4160 x 3120 (4:3), as well as recording Full HD video with electronic stabilization. Still images are saved to a microSD card in either DNG or JPEG formats.

Users can control both the camera and the drone using voice commands, using phrases like "Take a picture" or "Take a video." Gesture Control enables the user to take a selfie using a hand wave, and there's also face detection that snaps a photo when the camera detects a smile. Recording modes include Orbit Me and Point of Interest.

The Mantis Q has a flight time of up to 33 minutes and a top speed of 44mph / 71kph, as well as a drone racing mode with a live video feed that is presented on a smartphone.

Yuneec is now accepting pre-orders for Mantis Q. The drone with a controller, single battery, spare propellers, a three-port charger, power supply, and USB cable is $499.99 USD. There's also an X-Pack that adds three batteries and a travel shoulder bag for $649.99 USD.

Via: New Atlas

3 Legged Thing launches the affordable Patti tripod

British manufacturer 3 Legged Thing today launched a new affordable today. Despite an entry-level price point of $120, the company says its new Patti offers the same quality and versatility as the more expensive models in its Punks range.

A maximum payload of 10kg (22lbs) should be more than enough for most smaller DSLRs and mirrorless setups, and its ABS plastic flip leg locks instead of the more expensive models' twist lock systems help keep the price down. The legs are made from aircraft grade magnesium.

The Patti features a removable and reversible single section center column, allowing for low angled shots and a minimum shooting height of 11cm (4.3"). Packed down the new model measures 45cm (17.7") and extends to a maximum height of 1.63m (64") when unfolded and set up.

The tripod is supplied with the company's AirHead Mini head, a simplified version of its AirHead ball head variant. The latter comes with controls for the Arca Swiss style release plate as well as the ball head and panoramic rotation.

The Patti is available to pre-order from today and will be released September 15th. More information is available on the 3 Legged Thing website.

Hidden gems of Japan: Tokyo and beyond with the Canon EOS M50

Alex T. Thomas and Kathryn Bingham are photographers, friends and Tokyo residents who have been studying the language and exploring Japan for the past four years. They're interested in relics of the country's ancient past, exquisite Showa-era bathhouses called sentōs, elaborately-appointed roadside rest stops and everything in between.

On a recent trip from bustling Tokyo to the peaceful riverside town of Gujo Hachiman, the pair each brought along the Canon EOS M50. Take a look at the hidden gems they encountered along the way.

This is sponsored content, created with the support of Amazon and Canon. What does this mean?

More detail on Samsung Galaxy S10 triple camera setup revealed

Last week, Samsung revealed its latest high-end smartphone, the Galaxy Note 9. The Note 9's camera hardware is identical to last year's Galaxy S9 Plus dual-camera, but we've already seen rumors of the 2019 Galaxy S10 Plus featuring a triple-camera.

Next year's flagship is likely to be the first smartphone to combine a super-wide-angle and a tele-lens with the primary camera. The super-wide-angle is expected to come with a 123-degree angle of view, and the tele lens with a 3x magnification, offering a wider zoom range than any other smartphone.

Today a report from South Korean publication ET News has provided more detail on the Galaxy S10 camera specifications and if the sources can be trusted all three cameras will come with a different sensor resolution. The main camera will offer a 16MP pixel count, the telephoto camera captures 13MP images and the wide angle is expected to feature a 12MP sensor.'s likely that the output image size will be the same, no matter the zoom setting

Samsung is likely going to merge image data from all three sensors to leverage the combined sensor surface for improved light gathering, and provide a stepless zoom experience. Therefore, it's likely that the output image size will be the same, no matter the zoom setting. That said, as usual we can't know for sure at this point.

The ET News report contains another interesting piece of information: While Samsung initially planned to implement the triple camera only in one model of the Galaxy S10 series, the company's plans changed and there will now be two triple-camera models. Hopefully this should increase the chances of a triple-camera model becoming available at a (halfway) affordable price point.

Net SE, parent company for Meyer Optiks, others files for bankruptcy

Net SE, the company behind Oprema Jena, Meyer Optik Görlitz, Emil Busch, C.P. Goerz, Ihagee and A. Schacht products has been removed from the German stock exchange and has subsequently filed for insolvency.

According to documents on Net SE's website, the de-listing occurred on July 2nd, 2018. Roughly two weeks later, on July 17th, 2018, the company filed for bankruptcy.

An exact cause for the filings isn't mentioned, but on multiple Kickstarters (1, 2, 3, 4) for various lenses manufactured by its portfolio companies, a message was shared detailing an unfortunate car accident that nearly claimed the life of Dr. Stefan Immes, the 'main investor' and CEO of Net SE.

In the message, which was shared as an update to Kickstarter backers, the Net SE crowdfunding team notes that due to Dr. Immes inability to return to work in the 'foreseeable future [...] a large number of changes' need to be made regarding the restructuring of the organization. The update says Net SE 'will need until the end of October to be able to share our conclusions on how to proceed.'

Based on comments and criticism across the multiple Kickstarters Net SE companies have going on, it appears a large number of backers are yet to receive lenses and accessories they pre-ordered. Many are calling for refunds on pledges that weren't fulfilled.

It's unknown what the future holds for Net SE and its portfolio of companies. We'll stay on top of this story and update accordingly. If you have any insight, don't hesitate to drop us a line in the comments below or through our tip line.

Canon 70-200mm F4L IS II sample gallery

The Canon EF 70-200mm F4L IS II USM is the company's latest affordable constant-aperture telezoom, and it comes with some serious upgrades over its predecessor. You may have noticed that the paint is a shade brighter and, unfortunately, it's gained some weight. But the image stabilizer gives you five stops (versus three stops on the previous model) and we've seen generally excellent sharpness wide-open, throughout the zoom range.

From cruise ships in Vancouver B.C. to a grungy rock concert at Seattle's Pike Place Market, take a look through our sample gallery to see what this lens is capable of.

DPReview TV: understanding 4K and 6K photo modes on your camera

Special 4K and 6K photo modes may be one of the most under-appreciated features on recent cameras. After all, with today's models boasting impressive performance and high frame rates, why would you need them? In this week's episode, Chris and Jordan take a closer look at these modes and explain why – and when – you'll be glad to have them on your camera.

For more information check out our in-depth article explaining 4K photo mode.

Read our in-depth article about 4K photo mode

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

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Looking back on 10 years of Mirrorless

Micro Four Thirds: ten years old this week

There were no illustrations when the Micro Four Thirds concept was announced, so we had to draw our own.

Ten years ago this week, Panasonic and Olympus announced the Micro Four Thirds format. And in doing so, prompted us to use the term 'mirrorless' for the first time.

The rather corporate press release didn't necessarily spell out just how important a development it was. The two camera makers thought they were announcing a new mount, while trying not to upset existing Four Thirds customers. What they were actually doing was changing the direction of the industry.

We'd initially written a story stating that "Panasonic and Olympus have said they've developed a new mount with a shorter flange-back distance that will ... " but that wasn't the story at all. So instead we ran with: "Olympus and Panasonic have announced a new, mirrorless format / lens mount."

With hindsight we can see that Panasonic and Olympus were heralding the start of the mirrorless era.

A DSLR, but without the mirror

The idea of removing the mirror from a DSLR wasn't new: Pentax created this design study as far back as 1997. Phil shot this image when it was displayed at Photokina in 2006: still two years before Micro Four Thirds was announced.

For the first few hours there were no illustrations available, so we traced the outline of an existing E-series DSLR and scaled the other elements of the camera to show roughly what a mirrorless version could look like. It would be another six weeks before the public got to see the first Micro Four Thirds camera.

September 2008 [Announcement + 6 weeks]

The Panasonic Lumix DMC-G1 did everything it could to downplay how radical it was. It looked a bit like a Canon Rebel XSi / 450D that had shrunk in the wash but, more significantly, it also operated a lot like an existing DSLR. Critically though, it worked in live view as well as through the viewfinder. Or, more to the point, it worked identically, regardless of whether you used the viewfinder or the rear screen.

Panasonic had clearly been working on the camera for a long time: I'm not sure I can think of another 'version 1' product that's worked so well from the word go. And yet 10 days later Olympus managed to upstage the G1. With a block of wood.

September 2008 [Announcement + 6 weeks]

Sure, it's much smaller that the real PEN would be and looks nothing like the final design, but as a placeholder to say 'we're doing this too,' it was a powerful one.

I remember hearing that Olympus was going to unveil a mockup of it first Micro Four Thirds camera as soon as I arrived at the Photokina trade show, straight from the G1 launch. I raced over to the Olympus stand and begged, harassed and cajoled our press contact to let me get a shot of it without a glass case covering it.

It would be another nine months before a real product, the Olympus PEN E-P1, was 'ready.'

March 2009 [Announcement + 5 months]

The GH1 looked, to us, like a G1 but with the video function now working. Did we miss the clues as to what the 'GH' line would deliver or did they only start to emerge in the later models?

Yet, while all this was going on, Panasonic would quietly begin a second revolution with the release of the 1080-capable GH1.

It's strange to think back now and realize that Nikon and Canon introduced HD video to DSLRs before those capabilities came to mirrorless (the 720p-shooting Nikon D90, also launched at Photokina 2008, was completely overshadowed by the EOS 5D Mark II's ability to shoot 1080 just a few days later). But I don't think we were alone in not seeing just how significant the GH line was going to become for filmmakers, when high quality video arrived in mirrorless.

June 2009 [Announcement + 10 months]

The E-P1 was a pretty camera. There was a lot that still needed work, which meant it only achieved a rating of 66% – and a Highly Recommended award (Really, Simon? Really?)

When it finally arrived, the E-P1 was really pretty. Yes it was essentially an E-620 in a retro-styled SPAM can (I kept looking for the little 'key' for peeling the tin open). Yes, the initial two lenses were unacceptably slow to focus. But, coming almost two years before Fujifilm's X100, it offered the most image quality possible from such a small (and oh-so-stylish) package.

We all wanted one. I think everyone in the office decided they were going to buy this beautiful little camera, regardless of its flaws. Then Panasonic came to visit, with Phil and Simon emerging from the meeting with the words "you might want to wait for a bit." They'd just seen the GF1.

September 2009 [Announcement + 13 months]

We all wanted an E-P1, until Panasonic arrived to show us this: The DMC-GF1

Just over a year on from the announcement of the Micro Four Thirds system, Panasonic unveiled its third mirrorless camera: the DMC-GF1. Or "The world's smallest and lightest digital interchangeable lens system camera with a built-in flash" as they snappily put it at the time.

I've lost count of how many camera journalists I've met who said they own or owed a GF1: it was exactly the small body, big image quality, plenty of control camera we'd all been waiting for. Except Panasonic thought they'd made a camera for upgraders, so spent the next couple of years taking the buttons away to make it easier to use. Still, we eventually got a spiritual successor in the DMC-GX1.

Mirrorless, for short

Nobody really used the term 'mirrorless' before the G1 so no, your smartphone, 20-year-old compact or fifty-year-old rangefinder can't be retconned to count as 'mirrorless.'

The early running made by the Micro Four Thirds system nearly saw it get adopted as the generic name for all mirrorless cameras (it would be over a year until Samsung introduced the second mirrorless system, with its NX10).

As you might expect, the existing forum favorite: EVIL (electronic viewfinder, interchangeable lens), wan't exactly embraced by the industry. The almost painfully literal 'Compact System Camera' faired a little better, but arguably isn't the best way to describe the far-from-compact GFX 50S.

We stuck with 'Mirrorless' as shorthand for 'Mirrorless Interchangeable Lens Camera,' a decision validated by a reader poll in early 2011. 45% of readers chose MILC, making it nearly two-and-a-half times more popular than 'Interchangeable Lens Compact,' which polled second.

August 2018 [Announcement + 10 years]

The first great mirrorless camera? The Olympus OM-D E-M5 is the first example I can think of that was every bit as good as its DSLR peers. Only smaller. And prettier.

A lot has changed in the decade since that first hectic year of Micro Four Thirds launches. Sony, Fujifilm, Canon, Sigma and even Leica have introduced their own mirrorless systems. Samsung, Nikon and Pentax have all had a go, only to give up.

Every manufacturer has made some lenses that are terrible at focusing before recognizing that low-inertia, single focus element designs are usually the way to go. Pretty much every camera maker has tried to chase an upgrader crowd (from compacts or smartphones) that turns out not to want cameras at all.

August 2018 [Announcement + 10 years]

Panasonic's Micro Four Thirds lineup includes the most capable video cameras we've yet tested.

All the while both Panasonic and Olympus have continued to build out one of the most comprehensive systems of modern lenses. And improve their cameras: unlike the E-P1, the PEN-F is as good as it is pretty. Meanwhile the Panasonic GH5 and GH5S define the current high water mark for video in stills/video hybrid cameras, and camera such as the E-M1 II have helped dismiss the idea that DSLRs are inherently better at autofocus.

The move to mirrorless was a big step for both companies: moving on from a system they'd both spent a lot of time and money on, and that had developed a passionate following. But I think the last ten years has vindicated that decision.

August 2018 [Announcement + 10 years]

More than anything else, the expectation that Canon and Nikon – the two companies most committed to their DSLR legacies – are going to introduce full-frame mirrorless systems, confirms that Panasonic and Olympus were right to turn their backs to the mirror and look to the future.

Ladies and Gentlemen, let's raise our glasses to Micro Four Thirds: the little revolutionary.

Video: 5 DIY photography storage ‘hacks’

Storing camera gear seems to be a never-ending battle. Whether you want to admit to having too little space or too much gear, it almost always holds true that there are better ways to keep your gear organized.

Ted Forbes of The Art of Photography has created a short video on DIY storage hacks for cameras and lenses. The video's title suggests Forbes mentions six different methods in 90 seconds, but based on the numbers he provides, there are actually only five suggestions, considering hack number four seems to be skipped.

Numbers aside, Forbes uses wine racks, a lazy susan, and even pantry spice organizers as methods for camera gear organization. You could argue some of the hacks are common sense (shelves are a pretty obvious choice, I would think), but the video is still worth a quick watch.

California wildfire devastation revealed in series of aerial images

Aerial photos reveal California wildfire devastation

Image via city of Redding

The City of Redding's Geographic Information Systems (GIS) Division has published a series of aerial images showing the devastation caused by the ongoing Carr Fire in Shasta County, California. Located approximately 100 miles north of the Mendocino Complex fire, the Carr Fire has destroyed approximately 176,000 acres of land, more than 1,000 homes, and claimed eight lives.

The aerial images, which are available publicly on Redding's GIS website, reveal burned homes, vehicles and wilderness. The images were captured in part using UAVs equipped with cameras. According to ABC News, the fire was 48% contained as of Thursday morning, but experts expect it to continue into September. More than 13,000 firefighters are working to control the blaze.

Aerial photos were collected as part of a multi-agency collaboration. Licensed UAV pilots from Menlo Park Fire District, Alameda County Sheriff, Contra Costa Sheriff, and other agencies assisted the City in capturing the aerial photos. The City would also like to acknowledge CAL FIRE for permitting the use of UAV technology to assist in damage assessment.

Aerial photos reveal California wildfire devastation

Lake Keswick Estates. Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

Aerial photos reveal California wildfire devastation

Image via the City of Redding

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